Urban Ink presents Freedom Singer –
a new documentary theatre piece featuring Khari Wendell McClelland
at the Goldcorp Stage at the BMO Theatre Centre
October 7-18, 2017
What Vancouver audiences are saying:
“It was amazing! It was honest and thought-provoking. If you’re in the Vancouver area, look it up. Take your teens and talk about this part of Canadian history.”
“Freedom Singer was vulnerable, joyful, holy. Go see it!”
“Highly recommend witnessing this piece.”
“It reaches far deeper than words can say. I highly recommend you making time in your hearts and lives for this one!”
Created and produced by Project: Humanity, Freedom Singer is a new documentary theatre piece co-created by Khari Wendell McClelland and Project: Humanity’s Andrew Kushnir with CBC journalist Jodie Martinson. It was inspired by the journey of singer-songwriter McClelland in retracing his great-grandmother’s steps to escaping slavery in the U.S.
In 2015, Juno Award nominee McClelland retraced the steps of his great-great-great-grandmother Kizzy, and using contemporary styles like hip hop, funk and soul, he personalized the songs that likely accompanied her and thousands of others as they escaped U.S. slavery. In sharing this music, Khari is brought face to face with his own “unrecorded” heritage, and the realities and myths of one of our quintessential historic narratives: the Underground Railroad.
The Detroit-born, Vancouver-based singer/songwriter talked to historians, museum curators, and descendants of slaves. His journey was recorded for a CBC documentary.
Freedom Singer premiered on stage in Toronto in February 2017 and is now on a cross-country tour, with a stop in Vancouver this fall at the Goldcorp Stage at the BMO Theatre Centre.
The latest groundbreaking verbatim work from Project: Humanity, Freedom Singer asks: can “vibrations of the past” bring us closer to the truths and freedoms we may be seeking today?
Proudly sponsored by
“A sweet reminder of our history”
“There are challenges translating a research project to the stage, but Khari Wendell McClelland finds a sweet spot.”
★★★ – TORONTO STAR
“A moving musical journey along the Underground Railroad…with a Hamilton- esque twist: [the songs] are reinvented as hip-hop, funk and soul numbers.”
– TORONTO LIFE
October 7-18, 2017
Sunday, October 8 at 2pm – Pay-What-You-Can (admission at door)
Tuesday, October 10 at 8pm – ASL Interpretation & Talkback with the creator and cast (Tickets for ASL interpretation can be requested at the door.)
Tuesday, October 17 – Talkback with the creator and cast
JUST ADDED: Wednesday, October 18 – 1:30pm Matinee for high school students (Special student groups tickets are available for $14 tickets through the box office: 604-629-8849)
Goldcorp Stage at the BMO Theatre Centre, 162 West 1st Avenue, Vancouver, BC
On sale through BMO Theatre Centre’s ticket partner: vancouvertix.com
or call the VancouverTix box office at 604-629-VTIX (8849)
A Project: Humanity production
Directed by Andrew Kushnir
Set and costume design by Joanna Yu
Lighting design by Oz Weaver
Sound design by Debashis Sinha
Stage managed by Emilie Aubin
Production managed by Oz Weaver
Research dramaturgy by Jodie Martinson
Freedom Singer is a documentary-style piece of theatre that blends Khari Wendell McClelland’s original music with 1850s freedom songs, verbatim interview excerpts, and first-hand stories. It tells of McClelland’s journey to find the music that would have accompanied his great-great-great-grandmother, an escaped slave who walked to Ontario, lost her legs to the cold, had two children with a British-Canadian, then returned to Detroit after emancipation.
McClelland is joined on stage by acclaimed Vancouver guitarist Noah Walker and Juno Award-nominated soul singer Tanika Charles resurrecting these songs for contemporary audiences.
The show is directed by Andrew Kushnir of Project: Humanity, a Toronto theatre company that uses journalistic research and verbatim texts to explore social issues. (e.g., The Middle Place looked at youth shelters, and Small Axe, homophobia)
“You can physically feel this music right now as it may have been felt in the 1800s. History becomes animated; history becomes a verb instead of a noun. These were songs of survival for those singing them – for those who escaped, but also for those who endured or succumbed to the tyranny of slavery. They are songs of dignity forged in the face of inconceivable indignity. They stir the collective memory, the collective imagination — and they need to live on,” says Kushnir.
McClelland adds, “What I’ve come to realize more and more is how important this look back is right now, with the number of people who are displaced through war, environmental degradation, systemic oppression and poverty. I want to ask the audience – what is our role in this time? We often see the Underground Railroad as a defining narrative of Canada, the realization of hope, a safe place from tyranny. I want us to investigate our commitment to liberty and freedom today.”
Recommended for ages 13+
Hi-res photo for media use is HERE (photo credit Dahlia Katz)
In October 18, 2016, Urban Ink hosted a reading of latest draft of Freedom Singer at The Anderson Street Space in Vancouver.
February 1-11, 2017 Freedom Singer premiered as a limited engagement at the Scotiabank Community Studio in Toronto.
ABOUT URBAN INK PRODUCTIONS
Urban Ink Productions creates, produces and disseminates original live performance works by Indigenous and Intercultural artists.
Mission & Mandate: Urban Ink Production Society (Urban Ink Productions) ignites and inspires revolutionary voices that transform our world. We collaborate with artists and communities to push artistic boundaries through the creation and production of innovative Indigenous and Intercultural performance works. We are dedicated to providing a platform for these artists to tell their own stories from their own unique voice.
ABOUT PROJECT: HUMANITY
Project: Humanity is a Toronto-based company raising awareness of social issues through the arts, with a strong emphasis on youth engagement. Their highly-acclaimed works The Middle Place and Small Axe have positioned them as a leading developer of verbatim theatre in the country.
Artistic Vision: To create aesthetically-compelling experiences for audiences that will challenge preconceptions, that will interrupt mainstream narratives, and will in a caring way open up dialogues around complicity, awareness, and advocacy.
This presentation of Freedom Singer is made possible with the generous support from:
BC Arts Council
City of Vancouver